TROUBADOUR DE LA SAVANE

LP version. Printed undersleeve. A few years before Upper Volta changed its name to Burkina Faso, thanks to Thomas Sankara's dream of a new society, Voltaic music emerged as some kind of true cultural revolution in the wake of the country's independence in 1960. Popular music that sprung up from Burkina Faso owed much to the music from neighboring countries and to the longing for cultural authenticity conveyed through Guinean music. The first two decades of independence saw the upcoming of such orchestras and artists, such as Pierre Sandwidi. Nicknamed the troubadour from the bush, Pierre Sandwidi stands as one of the finest Voltaic artists from the 1970s. He belonged to an unsung elite of Francophone artists such as Francis Bebey, G.G. Vickey, Andre-Marie Tala, or Mamo Lagbema. His entire released output consists of less than ten 7s, two LPs, and a bunch of cassettes. Along with his friends Jean-Bernard Samboue, Abdoulaye Cisse, Oger Kabore, Joseph Salambere, or Richard Seydou Traore, he was part of the vedettes en herbe movement. Their songs were played on the national radio before being released as a single, recorded live in the studio. In 1970, Pierre Sandwidi traveled across the country, working for the state. He met Bobo-Dioulasso cultural entrepreneur and Volta Jazz boss Idrissa Kone, who offered him to record a few songs for his own imprint, Disques Paysans Noirs. Sandwidi delivered Lucie, a romantic song in the classic mandingo vein. In 1975, Pierre Sandwidi recorded two more singles at the Maison du Peuple. Using an Akai recorder as a soundboard, he was backed by Super Volta's mighty guitar player Desire Traore. In 1976, he recorded three more 45s with L'Harmonie Voltaique as a backing band. In 1979, while in Abidjan, Pierre Sandwidi recorded his first full length LP with the help of Voltaic Prince Edouard Ouedraogo. He launched his own callao dance, as a homage to this Sahelian bird that bounces instead of walking. Confronted with many temptations, Sandwidi sang about his will to stay true to his values, being first and foremost an African. A true callao song, Marietou sounds like genuine French Sahelian pop. After Sankara's fall in 1987, Sandwidi distanced himself from politics, focusing on writing new songs and plays. Twenty years after he died, this compilation stands as a vibrant tribute to one of West Africa's most outstanding and adamant artists. - 01. Fils Du Sahel (4:18)?02. Boy Cuisinier (5:12)?03. Marietou (4:48)?04. Je Suis Un Salaud (4:24)?05. Ouaga Affaires (4:43)?06. Mam Ti Fou (4:32)?07. Lucie (6:48)?08. Misse Issa (4:51)?09. Je Demande Ma Demission (3:56)?10. Tond Yabramba (6:10)?11. Yamb Ney Capitale (4:58)