ROUND ABOUT MIDNIGHT

In 1955 Miles Davis played an all-star jam session at the Newport Jazz Festival with Thelonious Monk on piano, Gerry Mulligan on baritone sax and Zoot Sims on tenor sax. This performance immediately drew the attention of Columbia Records George Avakian, who was so impressed that he immediately offered Davis a contract if he could form a regular band. The group he then assembled would go down in history as Davis so-called First Great Quintet, consisting of John Coltrane on tenor sax, Red Garland on piano, Philly Joe Jones on drums, Paul Chambers on bass and of course Miles himself on trumpet. Round Midnight is Miles Davis first record for Columbia and also the first studio recording of the First Great Quintet. The recording sessions began on October 26 1955 but the album wasnt released until 1957 as Davis was still under contract at Prestige at the time. These respective sessions yielded Steamin, Workin, Cookin and Relaxin; albums that would go down in history as quintessential blueprints of late 1950s hard bop. The record is made up of a collection of standards and one traditional song (Dear Old Stockholm, from the 19th century). Notably, it features what may be considered the most well-known versions of Thelonious Monks Round Midnight and Bye Bye Blackbird. That Avakian made a golden signing was sufficiently clear from the start, but no one could foresee that it would be this quintet on Columbia that would go on to change the course of modern jazz forever with Kind of Blue. Round Midnight is available as a limited edition of 1500 individually numbered copies on crystal clear vinyl.