RETURNING HOME: THE MUSIC OF MARNIE WEBER

You probably have at least one friend who is completely obsessed with Marnie Weber. Her dark, punk-infused humor
and fearless embrace of eccentric feminine power archetypes combine with gut-punch viscerality and a strange beauty that is
anything but pretty." Village Voice 'This neo-gothic fairytale wavers between happiness and sadness, amusement and tragedy,
attraction and repulsion." The White Review 'Weber reaches a new scale for her work'<<'The sentimentality and romance at its root
fearlessly sets it apart." BOMB 'Wild multimedia works that often dwell on the ghostly and the monstrous. Think: Fairy tales gone
seriously awry." LA Times Acclaimed LA multidisciplinary artist and musician Marnie Weber collects highlights from a long and storied
career on Returning Home: The Music of Marnie Weber, a collection of neo-goth art-pop that steers between kanky? ongaku pop
songs, noise-rock, and haunted fairytale darkness. The career of Marnie Weber (b. 1959) began with gigs paid in beer at an LA
trucker bar in 1977. Her band, Party Boys, formed when Weber was then 19 and had just left home. By the early 80''''s, the band
began regularly performing at LA''''s fabled Al''''s Bar, sharing the stage with generational talents that passed over its beer-drenched
floors. L7, Beck, Arto Lindsay, Ry Cooder, The Fall, Fear, Hole, Husker Du, Social Distortion, Nirvana, The Residents, Sonic Youth,
Urge Overkill, Jesus Lizard, the Misfits, among plenty more, played to audiences that included Bret Easton Ellis, Steve Buscemi,
Tommy Lee, Bill Murray, Al Pacino, Sean Penn, and Chloe Sevigny.