MONTMARTRE 1964

Listening to this album takes you back to the atmosphere and sound of Jazzhus Montmartre on a random night in the 1960s, engulfing you in Dexter GordonAEs enormous aura. DexterAEs arrival in Copenhagen had a tremendous impact that left a lasting impression on the Danish jazz scene. He was handsome and well-dressed. His playing was superb, with a giant sound; his introductions and showmanship were unique and captivating. In addition, Dexter felt the Danish mentality was well-suited for playing and enjoying jazz. oIt was always thereo, Alex Riel remembers oIt wasnAEt a case of going to work, even though we played every, single night in June, July and August during the summer of 1964. Dexter and Tete were there solely for the music, and so were Niels-Henning and I. It is so obvious when I hear the music today. Dexter loved being in Montmartre. He often stayed and jammed with the night shift when it took over, playing on till early morninga And Dexter ended up owning Copenhagen!o