KONZERTE 1972/1977
Cluster
Title
KONZERTE 1972/1977
Artist
UPC
4015698004694
Label
Genres
Release Date
May 19, 2017
Format
LP
Packaging
LP (100g)
Weight
0.51
Price
$85inc. GST
Ships From
Melbourne, AU
Delivery
Special order. Import item. Usually dispatched within 2 to 3 weeks.
The two authorized recordings presented here vividly conjure up the atmosphere, perhaps even the
magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival
in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster played
three gigs in the city in 1971/1972, including the one partially included on "Cluster II".
Cluster shows routinely lasted six hours or more, luring both the band and the audience into a state of
intoxication, no doubt acutely enhanced by the intake of certain substances. The buzzwords of the
moment were: psychedelic, magical, ritualistic, corresponding more or less to the Dionysian hedonism
which pervades certain styles of contemporary music culture today. It is worth noting this context as
useful background when listening to the live recordings presented here.
In the beginning, Cluster's music was rough, brutal and spontaneous, created with the most rudimentary
tools. Unlike many of their colleagues in this pioneering age, Cluster did not use any synthesizers,
sequencers or high-end amps. But this proved to be their strength, rather than a disadvantage.
Roedelius and Moebius played in the truest sense of the word, untroubled by mechanical processes.
They used their machines but were not dependent on them. Intuition was the dominant force, the risk of
potential failure was readily understood to be as much a part of their vibrant art as success. Perfection
had become a concept associated with convention. Indeed, anyone who was lucky enough to witness
Cluster play in the 1970s will testify that things sometimes went badly
wrong. But mostly they did not, and then the real magic was tangible. A utopian, previously undiscovered
world of sound was created in the presence of the beholder. The sound quality of these two documents
is average. A successful performance was considered more important than a perfect recording thereof.
We as listeners should accept that today. Our reward is a short journey into the nascent heart of Cluster's
creative universe, just after the big bang.
magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival
in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster played
three gigs in the city in 1971/1972, including the one partially included on "Cluster II".
Cluster shows routinely lasted six hours or more, luring both the band and the audience into a state of
intoxication, no doubt acutely enhanced by the intake of certain substances. The buzzwords of the
moment were: psychedelic, magical, ritualistic, corresponding more or less to the Dionysian hedonism
which pervades certain styles of contemporary music culture today. It is worth noting this context as
useful background when listening to the live recordings presented here.
In the beginning, Cluster's music was rough, brutal and spontaneous, created with the most rudimentary
tools. Unlike many of their colleagues in this pioneering age, Cluster did not use any synthesizers,
sequencers or high-end amps. But this proved to be their strength, rather than a disadvantage.
Roedelius and Moebius played in the truest sense of the word, untroubled by mechanical processes.
They used their machines but were not dependent on them. Intuition was the dominant force, the risk of
potential failure was readily understood to be as much a part of their vibrant art as success. Perfection
had become a concept associated with convention. Indeed, anyone who was lucky enough to witness
Cluster play in the 1970s will testify that things sometimes went badly
wrong. But mostly they did not, and then the real magic was tangible. A utopian, previously undiscovered
world of sound was created in the presence of the beholder. The sound quality of these two documents
is average. A successful performance was considered more important than a perfect recording thereof.
We as listeners should accept that today. Our reward is a short journey into the nascent heart of Cluster's
creative universe, just after the big bang.
Tracklisting
Side 1
- Fabrik, Hamburg 1972 (Live)
- Festival International de la Science-Fiction, Metz 1977 (Live)


