IJI

iji (pronounced ee-hee) is songwriter Zach Burba's tenured, transcendental DIY party band. Bred in Phoenix and fully flowered in Seattle, iji has been touring the American underground for 14 years, releasing a countless number of beloved LPs and tapes and pressing pause only for Zach to join the roving picnics of friends like Dear Nora, Mega Bog, and Clyde Peterson, whose Torrey Pines film (2016) featured a live touring soundtrack by Zach and others. iji, their self-titled 11th release, is a buoyant squiggling through a gummi jungle that thrums with living things. When it came time to record, iji live band alums Jake Jones (drums), Will Murdoch (bass), Evan Easthope (guitar), Tyler Martin (synths), Jade Tcimpidis (vocals) helped out alongside new collaborators including Zach's Dad who plays harmonica on the opening track. Zach also recruited friends James Krivchenia (Big Thief) and Erin Birgy (Mega Bog) to engineer and co-produce respectively, with eternal heroes like Arthur Russell, Laura Nyro, Peter Ivers, and Squeeze swimming in the clouds above. Although iji consistently slips from genre assignment, it has been an earnest pop experiment since its inception. The dancing procession of iji albums have reliably been about goofing, dreaming, love, and adventures through both inner- and outer-space, with lyrics and arrangements that sparkle with good-natured self-awareness. The theme of movement -- necessary, joyful, and dizzying -- zigs through the record, most notably with the minty-blue Faster and duet In Motion, featuring vocals from fellow road dog Greta Kline (Franky Cosmos). Present, too, are the loss and loneliness that come with endless flux, whether it's in feeling alone-together in the social anxiety warble Party's Turn, missing old kinship of absent pals (Where Are You'), accepting bewilderment at your own reflection (I Don't Ever Wanna Go Back, Lizard, Much Oblige), or even in singing a requiem for a favorite tape whose warped reels can't light the brain like they used to (The Ultimate in Relaxation). Other songs are stories told in harmony with these ideas; an artist's performative self wriggles out of being truly known in Something to Say, we stop to gawk at the dude within (Chewing), and thumbs twirl in the sunny one-room cottage of Salmon Ladder. The album's synaesthetic palette, pocked and splashed with noises, is a direct nod to iji's relationship with visual art; one of Zach's new abstract paintings appears on the cover and is, quite literally, a still-life of the music. Includes lyric sheet and download code; edition of 500. ?A1. I Don't Ever Wanna Go Back?A2. Something To Say?A3. In Motion?A4. Party's Turn?A5. The Ultimate In Relaxation?A6. Faster?B1. Much Oblige?B2. Chewing?B3. Where Are You?B4. Merger?B5. The Salmon Ladder?B6. Lizard?B7. Unlimit's Outroduction